<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:media="http://search.yahoo.com/mrss/"
	
	>

<channel>
	<title>Alexandra Davenport</title>
	<link>https://alexdavenport.com</link>
	<description>Alexandra Davenport</description>
	<pubDate>Mon, 22 Sep 2025 14:35:58 +0000</pubDate>
	<generator>https://alexdavenport.com</generator>
	<language>en</language>
	
		
	<item>
		<title>Alexandra Davenport</title>
				
		<link>https://alexdavenport.com/Alexandra-Davenport</link>

		<pubDate>Wed, 16 Aug 2017 11:03:16 +0000</pubDate>

		<dc:creator>Alexandra Davenport</dc:creator>

		<guid isPermaLink="true">https://alexdavenport.com/Alexandra-Davenport</guid>

		<description>&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;

	
&#60;img width="1300" height="731" width_o="1300" height_o="731" data-src="https://freight.cargo.site/t/original/i/85d02b6b02cb0c50bef370a2068a72e4ffb9c1e7fead688d31437c468ac4641a/PLASSEIN_Still002_web.jpg" data-mid="133920927" border="0" data-scale="66" src="https://freight.cargo.site/w/1000/i/85d02b6b02cb0c50bef370a2068a72e4ffb9c1e7fead688d31437c468ac4641a/PLASSEIN_Still002_web.jpg" /&#62;

</description>
		
	</item>
		
		
	<item>
		<title>Menu</title>
				
		<link>https://alexdavenport.com/Menu</link>

		<pubDate>Fri, 05 Apr 2019 08:21:04 +0000</pubDate>

		<dc:creator>Alexandra Davenport</dc:creator>

		<guid isPermaLink="true">https://alexdavenport.com/Menu</guid>

		<description>
	



function ShowHide1() {
  $("#slidingDiv").animate({"height": "toggle"}, { duration: 600 });

  $("a.moreinfo").live("click", function() {    // Track the click on a.moreinfo even if it’s not in the DOM.
    $(this).html("Show less");                      // Change the copy of a.moreinfo to Show less.
    $(this).addClass("lessinfo");               // Add a second class of lessinfo to a.moreinfo
  });
    
  $("a.lessinfo").live("click", function() {    // Track the click on newly created a.lessinfo even though it's not in the DOM
    $(this).html("Show more");                  // Change the copy of a.lessinfo to Show more.
    $(this).removeClass("lessinfo");            // Remove the class lessinfo so we can track a.moreinfo again.
  });
}



Info
Selected Works&#38;nbsp;Collaborations

Publications
Bookshop

Workshops
Instagram&#38;nbsp;</description>
		
	</item>
		
		
	<item>
		<title>info</title>
				
		<link>https://alexdavenport.com/info</link>

		<pubDate>Sat, 04 Nov 2017 17:09:49 +0000</pubDate>

		<dc:creator>Alexandra Davenport</dc:creator>

		<guid isPermaLink="true">https://alexdavenport.com/info</guid>

		<description>
	
	


	


	Contact&#38;nbsp;
Email: alexandra-davenport[at]hotmail.co.uk
IG:&#38;nbsp;@alexandra.davenport

︎ Download CV



	
Info&#38;nbsp;
Alexandra Davenport (she/her) is an artist and
educator based in Birmingham, UK. 
Her research-led practice considers the complex
relationship between the body, knowledge, and representation. Signalling back to
her history in dance, she uses choreography, photography, moving image and text
to rethink conventional approaches to image-making. Increasingly, her work operates at the intersection of art
and science – interweaving diverse forms of knowing through a lens of intersectional
feminist discourse.Her work has been exhibited in the UK and internationally, in group and solo exhibitions at institutions and festivals such as Derby QUAD (UK), Wilhelm-Hack-Museum (DE), Museum of London (UK), Hanes Art Gallery (USA), Peckham 24 (UK), A Performance Affair (BG), Summerhall (UK) &#38;amp; The Nunnery Gallery (UK).

She studied BA (Hons) Photography at London College of Communication, MA Photography at Royal College of Art and PGCert Creative Education at University for the Creative Arts. 
She is a Senior Fellow of the Higher Education Academy. &#38;nbsp;





	
















	

	

	
	


</description>
		
	</item>
		
		
	<item>
		<title>selected works-m</title>
				
		<link>https://alexdavenport.com/selected-works-m</link>

		<pubDate>Fri, 22 Mar 2019 07:15:29 +0000</pubDate>

		<dc:creator>Alexandra Davenport</dc:creator>

		<guid isPermaLink="true">https://alexdavenport.com/selected-works-m</guid>

		<description>


Selected Works


&#60;img width="1800" height="1200" width_o="1800" height_o="1200" data-src="https://freight.cargo.site/t/original/i/68439b339b7508c254428b71458f19a7cd0f6b2bda088eea1f84bdb8b2cebef4/SMQB-UOB-X-Centrala-March-2025---Photographer-Hayley-Salter--1257330.jpg" data-mid="238509567" border="0" alt="What Happens in that Moment? 2024-25." data-caption="What Happens in that Moment? 2024-25." src="https://freight.cargo.site/w/1000/i/68439b339b7508c254428b71458f19a7cd0f6b2bda088eea1f84bdb8b2cebef4/SMQB-UOB-X-Centrala-March-2025---Photographer-Hayley-Salter--1257330.jpg" /&#62;
&#60;img width="1642" height="1812" width_o="1642" height_o="1812" data-src="https://freight.cargo.site/t/original/i/1de7b076e9250e85b780151b0bb4096fca95b26d3ffa19078192aad9b229bf5a/ChoreogrpahicComment01.jpg" data-mid="238509974" border="0" alt="#Setup WorkspaceChoreographic Comments, 2025." data-caption="&#38;lt;i&#38;gt;#Setup Workspace&#38;lt;/i&#38;gt;&#38;lt;br&#38;gt;Choreographic Comments, 2025." src="https://freight.cargo.site/w/1000/i/1de7b076e9250e85b780151b0bb4096fca95b26d3ffa19078192aad9b229bf5a/ChoreogrpahicComment01.jpg" /&#62;
&#60;img width="1300" height="731" width_o="1300" height_o="731" data-src="https://freight.cargo.site/t/original/i/ea54f3d3167f9037a67629fb7069a0498b73d6a1cedae75a672162659a548889/PLASSEIN_Still002_web.jpg" data-mid="133922043" border="0" alt="Plassein, 2022." data-caption="Plassein, 2022." src="https://freight.cargo.site/w/1000/i/ea54f3d3167f9037a67629fb7069a0498b73d6a1cedae75a672162659a548889/PLASSEIN_Still002_web.jpg" /&#62;
&#60;img width="1300" height="910" width_o="1300" height_o="910" data-src="https://freight.cargo.site/t/original/i/a0f9527e546333a553b51bf25f61ee545dbc09e87e79a8f8156b213fed5f14b2/Feb2022-Ourbrainisawork.jpeg" data-mid="154223597" border="0" alt="&#38;quot;Our brain is a work and we do not know it.&#38;quot; 2020 - 2022" data-caption="&#38;quot;Our brain is a work and we do not know it.&#38;quot; 2020 - 2022" src="https://freight.cargo.site/w/1000/i/a0f9527e546333a553b51bf25f61ee545dbc09e87e79a8f8156b213fed5f14b2/Feb2022-Ourbrainisawork.jpeg" /&#62;
&#60;img width="1600" height="1067" width_o="1600" height_o="1067" data-src="https://freight.cargo.site/t/original/i/fd117f2dbc6b960f685d17718f20169ba7558139be6e0431174ea0d3fbded012/1T8A4538-WEB.jpg" data-mid="42785446" border="0" alt="In the Gap Between, 2019." data-caption="In the Gap Between, 2019." src="https://freight.cargo.site/w/1000/i/fd117f2dbc6b960f685d17718f20169ba7558139be6e0431174ea0d3fbded012/1T8A4538-WEB.jpg" /&#62;
&#60;img width="3616" height="2410" width_o="3616" height_o="2410" data-src="https://freight.cargo.site/t/original/i/b685b96354c5c51b26f3c6859797b8849c712dc589b4b4a6bb5f3dac7b022f73/CT-MP-web.jpg" data-mid="38315173" border="0" alt="Circuit Training (exercises in self-doubt), 2018." data-caption="Circuit Training &#38;lt;i&#38;gt;(exercises in self-doubt)&#38;lt;/i&#38;gt;, 2018." src="https://freight.cargo.site/w/1000/i/b685b96354c5c51b26f3c6859797b8849c712dc589b4b4a6bb5f3dac7b022f73/CT-MP-web.jpg" /&#62;
&#60;img width="1700" height="1016" width_o="1700" height_o="1016" data-src="https://freight.cargo.site/t/original/i/5e8a7da4fb9ad0ecd711fffa8ad0f048f6bbf25e4ecc44e98cdb4554137076c1/BodyMapping_W_Still.png" data-mid="196033286" border="0" alt="Reading the Room, 2021." data-caption="Reading the Room, 2021." src="https://freight.cargo.site/w/1000/i/5e8a7da4fb9ad0ecd711fffa8ad0f048f6bbf25e4ecc44e98cdb4554137076c1/BodyMapping_W_Still.png" /&#62;
&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/2e85b146a4eae4b0a1d834438c2ac375d0b71ab32768974d64e058f2fc6ffe8f/TL-Clock3_Web_2000px.jpg" data-mid="38314838" border="0" alt="Clock Work, 2019.  In collaboration with Tom Lovelace" data-caption="Clock Work, 2019. &#38;lt;br&#38;gt;&#38;lt;i&#38;gt; In collaboration with Tom Lovelace&#38;lt;/i&#38;gt;" src="https://freight.cargo.site/w/1000/i/2e85b146a4eae4b0a1d834438c2ac375d0b71ab32768974d64e058f2fc6ffe8f/TL-Clock3_Web_2000px.jpg" /&#62;
&#60;img width="671" height="1200" width_o="671" height_o="1200" data-src="https://freight.cargo.site/t/original/i/7e7bb0b28994c2f3d58f66a357033054fec8c3fee809b54111b856100001a248/MM-03-web.jpg" data-mid="108695472" border="0" alt="Muscle Memory, 2020." data-caption="Muscle Memory, 2020." src="https://freight.cargo.site/w/671/i/7e7bb0b28994c2f3d58f66a357033054fec8c3fee809b54111b856100001a248/MM-03-web.jpg" /&#62;




&#60;img width="2048" height="1365" width_o="2048" height_o="1365" data-src="https://freight.cargo.site/t/original/i/7479bf9cb4f7894efcc87b4323c4818459e510a21cfe6683a48382e3cf3f6b24/TBC-001-web.jpg" data-mid="38315000" border="0" alt="To be confirmed: exercises in self-doubt, 2018." data-caption="To be confirmed: exercises in self-doubt, 2018." src="https://freight.cargo.site/w/1000/i/7479bf9cb4f7894efcc87b4323c4818459e510a21cfe6683a48382e3cf3f6b24/TBC-001-web.jpg" /&#62;
&#60;img width="1300" height="1682" width_o="1300" height_o="1682" data-src="https://freight.cargo.site/t/original/i/99981bc1fdefe42fe27380d795bcc76754cf77460d16f70ab0fce8564136b082/Hold-Plate-2-WEB.jpg" data-mid="61463905" border="0" alt="Pas de Deux, 2018 - 2019." data-caption="Pas de Deux, 2018 - 2019." src="https://freight.cargo.site/w/1000/i/99981bc1fdefe42fe27380d795bcc76754cf77460d16f70ab0fce8564136b082/Hold-Plate-2-WEB.jpg" /&#62;
&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/ac35372e6806da09faf71fdb65079c5d588b95360363b7f19deaee87b848c87f/Commute_RehearsalStill_02web.jpg" data-mid="38326771" border="0" alt="Commute, 2017." data-caption="Commute, 2017." src="https://freight.cargo.site/w/1000/i/ac35372e6806da09faf71fdb65079c5d588b95360363b7f19deaee87b848c87f/Commute_RehearsalStill_02web.jpg" /&#62;
&#60;img width="1797" height="1206" width_o="1797" height_o="1206" data-src="https://freight.cargo.site/t/original/i/04c0454d57aa0bc8a3b9943b3ca0bb084bde295f409f728fc23cbca89b769a91/1T8A9402_R1_WEB-.jpg" data-mid="58980892" border="0" alt="Body Language, 2018 - present" data-caption="Body Language, 2018 - &#38;lt;i&#38;gt;present&#38;lt;/i&#38;gt;" src="https://freight.cargo.site/w/1000/i/04c0454d57aa0bc8a3b9943b3ca0bb084bde295f409f728fc23cbca89b769a91/1T8A9402_R1_WEB-.jpg" /&#62;
&#60;img width="1300" height="1762" width_o="1300" height_o="1762" data-src="https://freight.cargo.site/t/original/i/a723cea8e7c8876e20c428dddaa9dc697987b0edec889c7f3328dfe8a5cc1cd6/1T8A5405_R1-WEB.jpg" data-mid="57846700" border="0" alt="Venus Studies, 2015.Unique Polaroids, 3.25cm x 4.25cm" data-caption="Venus Studies, 2015.&#38;lt;br&#38;gt;&#38;lt;i&#38;gt;Unique Polaroids, 3.25cm x 4.25cm&#38;lt;/i&#38;gt;" src="https://freight.cargo.site/w/1000/i/a723cea8e7c8876e20c428dddaa9dc697987b0edec889c7f3328dfe8a5cc1cd6/1T8A5405_R1-WEB.jpg" /&#62;
&#60;img width="1500" height="2000" width_o="1500" height_o="2000" data-src="https://freight.cargo.site/t/original/i/22fefa2291fedb86284b30a6685f4d3730086a792fe4e64f8638376052df4bc8/Escape-Counter-01-web-.jpg" data-mid="59566929" border="0" alt="Escape &#38;amp; Counter, 2017." data-caption="Escape &#38;amp; Counter, 2017." src="https://freight.cargo.site/w/1000/i/22fefa2291fedb86284b30a6685f4d3730086a792fe4e64f8638376052df4bc8/Escape-Counter-01-web-.jpg" /&#62;
&#60;img width="1110" height="1300" width_o="1110" height_o="1300" data-src="https://freight.cargo.site/t/original/i/1243ec87ecba2ad62e05a4e9637fea6b9c806da53ab6c1b2f9cf1854e4ec5a86/1T8A5437_R3_WEB.jpg" data-mid="59566938" border="0" alt="Reflector Study I, 2015.Contact Sheet, 33.5 x 29.4cm." data-caption="Reflector Study I, 2015.&#38;lt;br&#38;gt;&#38;lt;i&#38;gt;Contact Sheet, 33.5 x 29.4cm.&#38;lt;/i&#38;gt;" src="https://freight.cargo.site/w/1000/i/1243ec87ecba2ad62e05a4e9637fea6b9c806da53ab6c1b2f9cf1854e4ec5a86/1T8A5437_R3_WEB.jpg" /&#62;
&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/86e6b2a57b6d7f5f61da592557f2e1f309521d9fe08247475caaf6ade35d56d3/E004-web.jpg" data-mid="38327335" border="0" alt="Exercises I-III, 2014 - 2015." data-caption="Exercises I-III, 2014 - 2015." src="https://freight.cargo.site/w/1000/i/86e6b2a57b6d7f5f61da592557f2e1f309521d9fe08247475caaf6ade35d56d3/E004-web.jpg" /&#62;

</description>
		
	</item>
		
		
	<item>
		<title>selected works</title>
				
		<link>https://alexdavenport.com/selected-works</link>

		<pubDate>Fri, 20 Dec 2019 13:06:53 +0000</pubDate>

		<dc:creator>Alexandra Davenport</dc:creator>

		<guid isPermaLink="true">https://alexdavenport.com/selected-works</guid>

		<description>





&#60;img width="1428" height="1667" width_o="1428" height_o="1667" data-src="https://freight.cargo.site/t/original/i/51dcf35e49880930245525085a8458b05913225e0238e8b0b10f69d94629c363/SMQB-UOB-X-Centrala-March-2025--003W.jpg" data-mid="238507335" border="0" alt="What Happens in that Moment?SMQB Artist Residency, 2024-25." data-caption="What Happens in that Moment?&#38;lt;br&#38;gt;&#38;lt;i&#38;gt;SMQB Artist Residency, 2024-25.&#38;lt;/i&#38;gt;&#38;lt;/br&#38;gt;" src="https://freight.cargo.site/w/1000/i/51dcf35e49880930245525085a8458b05913225e0238e8b0b10f69d94629c363/SMQB-UOB-X-Centrala-March-2025--003W.jpg" /&#62;
&#60;img width="1800" height="1200" width_o="1800" height_o="1200" data-src="https://freight.cargo.site/t/original/i/7e7570cec77817e7aeaab7ebef496da1a7f43c90cc0c7629ebf988c54075116b/SMQB-UOB-X-Centrala-March-2025---Photographer-Hayley-Salter--1257330.jpg" data-mid="238509995" border="0"  src="https://freight.cargo.site/w/1000/i/7e7570cec77817e7aeaab7ebef496da1a7f43c90cc0c7629ebf988c54075116b/SMQB-UOB-X-Centrala-March-2025---Photographer-Hayley-Salter--1257330.jpg" /&#62;
&#60;img width="1642" height="1812" width_o="1642" height_o="1812" data-src="https://freight.cargo.site/t/original/i/2aeaed472d94c726a1da5d3fc7e7a36a9c6a8eee9ae6825ba17ca778e7a3f92a/ChoreogrpahicComment01.jpg" data-mid="238507423" border="0" alt="#Setup WorkspaceChoreographic Comments, 2025." data-caption="&#38;lt;i&#38;gt;#Setup Workspace&#38;lt;/i&#38;gt;&#38;lt;br&#38;gt;Choreographic Comments, 2025." src="https://freight.cargo.site/w/1000/i/2aeaed472d94c726a1da5d3fc7e7a36a9c6a8eee9ae6825ba17ca778e7a3f92a/ChoreogrpahicComment01.jpg" /&#62;
&#60;img width="1646" height="1812" width_o="1646" height_o="1812" data-src="https://freight.cargo.site/t/original/i/862fa3b0fc90def711621d12ef905e5995ad7501254ac2f13efc960f77b5de99/ChoreogrpahicComment02.jpg" data-mid="238507424" border="0" alt="#Forward PassChoreographic Comments, 2025." data-caption="&#38;lt;i&#38;gt;#Forward Pass&#38;lt;/i&#38;gt;&#38;lt;br&#38;gt;Choreographic Comments, 2025." src="https://freight.cargo.site/w/1000/i/862fa3b0fc90def711621d12ef905e5995ad7501254ac2f13efc960f77b5de99/ChoreogrpahicComment02.jpg" /&#62;
&#60;img width="1300" height="731" width_o="1300" height_o="731" data-src="https://freight.cargo.site/t/original/i/49e62e429b0ea01171c0c5ae3329dce0e844e4a85b3ee1ae579b030fb53cf7b9/PLASSEIN_Still002_web.jpg" data-mid="133921372" border="0" alt="Plassein, 2022." data-caption="Plassein, 2022." src="https://freight.cargo.site/w/1000/i/49e62e429b0ea01171c0c5ae3329dce0e844e4a85b3ee1ae579b030fb53cf7b9/PLASSEIN_Still002_web.jpg" /&#62;
&#60;img width="1300" height="975" width_o="1300" height_o="975" data-src="https://freight.cargo.site/t/original/i/a041974ea65a03f2865980fff34d4fe82e02982a0a45d70a451f218bb99f395a/Biennale-AD_Web05.jpeg" data-mid="141909098" border="0"  src="https://freight.cargo.site/w/1000/i/a041974ea65a03f2865980fff34d4fe82e02982a0a45d70a451f218bb99f395a/Biennale-AD_Web05.jpeg" /&#62;
&#60;img width="2835" height="1984" width_o="2835" height_o="1984" data-src="https://freight.cargo.site/t/original/i/1728847d98e8fade3f89d95112a76462ba0fc0b6da359e95028f18eee476792d/OBW_70x100.jpg" data-mid="183909848" border="0" alt="Our brain is a work and we do not know it.  2020 - 2022." data-caption="Our brain is a work and we do not know it. &#38;lt;br&#38;gt; 2020 - 2022." src="https://freight.cargo.site/w/1000/i/1728847d98e8fade3f89d95112a76462ba0fc0b6da359e95028f18eee476792d/OBW_70x100.jpg" /&#62;
&#60;img width="1600" height="1067" width_o="1600" height_o="1067" data-src="https://freight.cargo.site/t/original/i/fd117f2dbc6b960f685d17718f20169ba7558139be6e0431174ea0d3fbded012/1T8A4538-WEB.jpg" data-mid="56999967" border="0" alt="In the Gap Between, 2019. " data-caption="In the Gap Between, 2019. " src="https://freight.cargo.site/w/1000/i/fd117f2dbc6b960f685d17718f20169ba7558139be6e0431174ea0d3fbded012/1T8A4538-WEB.jpg" /&#62;
&#60;img width="1067" height="1600" width_o="1067" height_o="1600" data-src="https://freight.cargo.site/t/original/i/69fe051ef49ad2eac50d336a098a42874fa35c4cfe226aeeece066a2a6bbcfff/1T8A4495-WEB.jpg" data-mid="57008069" border="0"  src="https://freight.cargo.site/w/1000/i/69fe051ef49ad2eac50d336a098a42874fa35c4cfe226aeeece066a2a6bbcfff/1T8A4495-WEB.jpg" /&#62;
&#60;img width="1700" height="1016" width_o="1700" height_o="1016" data-src="https://freight.cargo.site/t/original/i/dd29f3d53e63744dc8870505fab14bee49faad28bd84574ad3e91eba07db9cbd/BodyMapping_W_Still.png" data-mid="196032881" border="0" alt="Reading the Room. 2021." data-caption="Reading the Room. 2021." src="https://freight.cargo.site/w/1000/i/dd29f3d53e63744dc8870505fab14bee49faad28bd84574ad3e91eba07db9cbd/BodyMapping_W_Still.png" /&#62;
&#60;img width="1122" height="1818" width_o="1122" height_o="1818" data-src="https://freight.cargo.site/t/original/i/53376f8b4ddaf34c784ab3fd6c377679f462d22deb3c77f7bf89565b62fc556a/MM-01-web.png" data-mid="108689823" border="0" alt="Muscle Memory, 2020." data-caption="Muscle Memory, 2020." src="https://freight.cargo.site/w/1000/i/53376f8b4ddaf34c784ab3fd6c377679f462d22deb3c77f7bf89565b62fc556a/MM-01-web.png" /&#62;
&#60;img width="741" height="1200" width_o="741" height_o="1200" data-src="https://freight.cargo.site/t/original/i/db359761ce464d142fe99e75c8c512a34edb7b92bfa88bee499a8d07499a3494/MM-02.png" data-mid="126631779" border="0" alt="Digital HD Video, 1&#38;rsquo;44&#38;rdquo;." data-caption="Digital HD Video, 1’44”." src="https://freight.cargo.site/w/741/i/db359761ce464d142fe99e75c8c512a34edb7b92bfa88bee499a8d07499a3494/MM-02.png" /&#62;
&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/2e85b146a4eae4b0a1d834438c2ac375d0b71ab32768974d64e058f2fc6ffe8f/TL-Clock3_Web_2000px.jpg" data-mid="56999952" border="0" alt="Clock Work, 2019.  In collaboration with Tom Lovelace." data-caption="Clock Work, 2019. &#38;lt;br&#38;gt; &#38;lt;i&#38;gt;In collaboration with Tom Lovelace.&#38;lt;/i&#38;gt;" src="https://freight.cargo.site/w/1000/i/2e85b146a4eae4b0a1d834438c2ac375d0b71ab32768974d64e058f2fc6ffe8f/TL-Clock3_Web_2000px.jpg" /&#62;
&#60;img width="1280" height="1280" width_o="1280" height_o="1280" data-src="https://freight.cargo.site/t/original/i/a336a7b8ba645e4a7a4fb5555c68c678429012ef7a4c3a3799c198d485bc9b9b/IMG_6339.JPG" data-mid="57695410" border="0"  src="https://freight.cargo.site/w/1000/i/a336a7b8ba645e4a7a4fb5555c68c678429012ef7a4c3a3799c198d485bc9b9b/IMG_6339.JPG" /&#62;
&#60;img width="3616" height="2410" width_o="3616" height_o="2410" data-src="https://freight.cargo.site/t/original/i/b685b96354c5c51b26f3c6859797b8849c712dc589b4b4a6bb5f3dac7b022f73/CT-MP-web.jpg" data-mid="56999956" border="0" alt="Circuit Training (exercises in self-doubt), 2018." data-caption="Circuit Training &#38;lt;i&#38;gt;(exercises in self-doubt)&#38;lt;/i&#38;gt;, 2018." src="https://freight.cargo.site/w/1000/i/b685b96354c5c51b26f3c6859797b8849c712dc589b4b4a6bb5f3dac7b022f73/CT-MP-web.jpg" /&#62;
&#60;img width="1796" height="2694" width_o="1796" height_o="2694" data-src="https://freight.cargo.site/t/original/i/59c5c67d0d3833523f5d7842e407c55b6945d50a32ca009cb5d9f263976621be/Alexandra-Davenport--Jeroen-Verrecht---5.jpg" data-mid="57007221" border="0"  src="https://freight.cargo.site/w/1000/i/59c5c67d0d3833523f5d7842e407c55b6945d50a32ca009cb5d9f263976621be/Alexandra-Davenport--Jeroen-Verrecht---5.jpg" /&#62;
&#60;img width="2048" height="1365" width_o="2048" height_o="1365" data-src="https://freight.cargo.site/t/original/i/7479bf9cb4f7894efcc87b4323c4818459e510a21cfe6683a48382e3cf3f6b24/TBC-001-web.jpg" data-mid="56999954" border="0" alt="To be confirmed: exercises in self-doubt, 2018." data-caption="To be confirmed: exercises in self-doubt, 2018." src="https://freight.cargo.site/w/1000/i/7479bf9cb4f7894efcc87b4323c4818459e510a21cfe6683a48382e3cf3f6b24/TBC-001-web.jpg" /&#62;
&#60;img width="1950" height="1300" width_o="1950" height_o="1300" data-src="https://freight.cargo.site/t/original/i/18b3c7cb18acb3e3586a5a90da75fedfb4b99890ee5c4170789b25176facf555/1T8A0386-R1_WEB.jpg" data-mid="57836748" border="0"  src="https://freight.cargo.site/w/1000/i/18b3c7cb18acb3e3586a5a90da75fedfb4b99890ee5c4170789b25176facf555/1T8A0386-R1_WEB.jpg" /&#62;



	



&#60;img width="1300" height="1682" width_o="1300" height_o="1682" data-src="https://freight.cargo.site/t/original/i/510bfa093bf63c4665961ed4f60ed6dfa2c8d285f104f6e435b9ce471cab4572/PDD-n-WEB.jpg" data-mid="61463591" border="0" alt="Pas de Deux, #4. 2018 - 2019." data-caption="Pas de Deux, #4. 2018 - 2019." src="https://freight.cargo.site/w/1000/i/510bfa093bf63c4665961ed4f60ed6dfa2c8d285f104f6e435b9ce471cab4572/PDD-n-WEB.jpg" /&#62;
&#60;img width="1300" height="1682" width_o="1300" height_o="1682" data-src="https://freight.cargo.site/t/original/i/25b737bf0d9c7f1e8bf085d7e4d06ecc66d9b4b587cdab255a4ebe3815196df2/Hold-Plate-2-WEB.jpg" data-mid="61463588" border="0" alt="Pas de Deux, #7. 2018 - 2019." data-caption="Pas de Deux, #7. 2018 - 2019." src="https://freight.cargo.site/w/1000/i/25b737bf0d9c7f1e8bf085d7e4d06ecc66d9b4b587cdab255a4ebe3815196df2/Hold-Plate-2-WEB.jpg" /&#62;




	
&#60;img width="1300" height="1762" width_o="1300" height_o="1762" data-src="https://freight.cargo.site/t/original/i/05c1604a05b105e628fa4fc326acf1eee35ff66441493d4db07b74660bdd3920/1T8A5413_R1_WEB.jpg" data-mid="57829205" border="0" alt="Venus Study, I, 2016.Unique Polaroid, 3.25cm x 4.25cm" data-caption="Venus Study, I, 2016.&#38;lt;br&#38;gt;&#38;lt;i&#38;gt;Unique Polaroid, 3.25cm x 4.25cm&#38;lt;/i&#38;gt;" src="https://freight.cargo.site/w/1000/i/05c1604a05b105e628fa4fc326acf1eee35ff66441493d4db07b74660bdd3920/1T8A5413_R1_WEB.jpg" /&#62;
&#60;img width="1300" height="1762" width_o="1300" height_o="1762" data-src="https://freight.cargo.site/t/original/i/30cf3f24c504d8897e243d654ae079a57c601300b82122d053be2da0527cf098/1T8A5405_R1-WEB3.jpg" data-mid="57006688" border="0" alt="Venus Study, II, 2016.Unique Polaroid, 3.25cm x 4.25cm" data-caption="Venus Study, II, 2016.&#38;lt;br&#38;gt;&#38;lt;i&#38;gt;Unique Polaroid, 3.25cm x 4.25cm&#38;lt;/i&#38;gt;" src="https://freight.cargo.site/w/1000/i/30cf3f24c504d8897e243d654ae079a57c601300b82122d053be2da0527cf098/1T8A5405_R1-WEB3.jpg" /&#62;
&#60;img width="1300" height="1762" width_o="1300" height_o="1762" data-src="https://freight.cargo.site/t/original/i/e4af1f6ff650640f16de34480ea26d192a6f0944bd125521de1cc59d24f1050b/1T8A5407_R1_WEB.jpg" data-mid="57834799" border="0" alt="Venus Study, III, 2016.Unique Polaroid, 3.25cm x 4.25cm" data-caption="Venus Study, III, 2016.&#38;lt;br&#38;gt;&#38;lt;i&#38;gt;Unique Polaroid, 3.25cm x 4.25cm&#38;lt;/i&#38;gt;" src="https://freight.cargo.site/w/1000/i/e4af1f6ff650640f16de34480ea26d192a6f0944bd125521de1cc59d24f1050b/1T8A5407_R1_WEB.jpg" /&#62;


	





	
&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/ac35372e6806da09faf71fdb65079c5d588b95360363b7f19deaee87b848c87f/Commute_RehearsalStill_02web.jpg" data-mid="56999960" border="0" alt="Commute, 2017." data-caption="Commute, 2017.&#38;lt;br&#38;gt;" src="https://freight.cargo.site/w/1000/i/ac35372e6806da09faf71fdb65079c5d588b95360363b7f19deaee87b848c87f/Commute_RehearsalStill_02web.jpg" /&#62;




	&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;
&#60;img width="1797" height="1206" width_o="1797" height_o="1206" data-src="https://freight.cargo.site/t/original/i/0c6fbe5bcff64495d7f2e19a477ad45c92d3003955b0390a7cc65533113e7015/1T8A9402_R1_WEB-.jpg" data-mid="58980266" border="0" alt="Body Language, 2018 - present." data-caption="Body Language, 2018 - present." src="https://freight.cargo.site/w/1000/i/0c6fbe5bcff64495d7f2e19a477ad45c92d3003955b0390a7cc65533113e7015/1T8A9402_R1_WEB-.jpg" /&#62;
&#60;img width="1300" height="1950" width_o="1300" height_o="1950" data-src="https://freight.cargo.site/t/original/i/b977ba50ddaf0412d4eaf08a1de9d24e4664ef000482f06b8512cc612bde5c43/1T8A9386_R2_WEB.jpg" data-mid="59358425" border="0"  src="https://freight.cargo.site/w/1000/i/b977ba50ddaf0412d4eaf08a1de9d24e4664ef000482f06b8512cc612bde5c43/1T8A9386_R2_WEB.jpg" /&#62;





	&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;
&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/a1d9b0bc9fca96e0681cfd2b991843d5606e1a7cb9d654437928d9917757e561/E004-web.jpg" data-mid="57837629" border="0" alt="Exercises I-III, 2014 - 2015." data-caption="Exercises I-III, 2014 - 2015." src="https://freight.cargo.site/w/1000/i/a1d9b0bc9fca96e0681cfd2b991843d5606e1a7cb9d654437928d9917757e561/E004-web.jpg" /&#62;
&#60;img width="1181" height="827" width_o="1181" height_o="827" data-src="https://freight.cargo.site/t/original/i/83b0513f02f147368f6731b21d726a29f70bffd661e64bb18b16aeaba762a76b/E001_WEB.jpg" data-mid="57837804" border="0"  src="https://freight.cargo.site/w/1000/i/83b0513f02f147368f6731b21d726a29f70bffd661e64bb18b16aeaba762a76b/E001_WEB.jpg" /&#62;





&#60;img width="1500" height="2000" width_o="1500" height_o="2000" data-src="https://freight.cargo.site/t/original/i/c2dcdb0dfe75ba3ae707fba8d9b9a4c647eb0b72ae82c9ebfed1e232319b2825/Escape-Counter-01-web-.jpg" data-mid="56999959" border="0" alt="Escape &#38;amp; Counter, 2017." data-caption="Escape &#38;amp; Counter, 2017." src="https://freight.cargo.site/w/1000/i/c2dcdb0dfe75ba3ae707fba8d9b9a4c647eb0b72ae82c9ebfed1e232319b2825/Escape-Counter-01-web-.jpg" /&#62;
&#60;img width="1110" height="1300" width_o="1110" height_o="1300" data-src="https://freight.cargo.site/t/original/i/ede4ed02ddee1e46de6864ef080d0a2e85e5f4453ea0c79516d7c5bce0395887/1T8A5437_R3_WEB.jpg" data-mid="59551222" border="0" alt="Reflector Study I, 2015.Contact Sheet, 33.5 x 29.4cm." data-caption="Reflector Study I, 2015.&#38;lt;br&#38;gt;&#38;lt;i&#38;gt;Contact Sheet, 33.5 x 29.4cm.&#38;lt;/i&#38;gt;" src="https://freight.cargo.site/w/1000/i/ede4ed02ddee1e46de6864ef080d0a2e85e5f4453ea0c79516d7c5bce0395887/1T8A5437_R3_WEB.jpg" /&#62;



&#60;img width="2000" height="1477" width_o="2000" height_o="1477" data-src="https://freight.cargo.site/t/original/i/682498f557def139bbbb95c30a5fa231b7f7a67b9e21cfc49041c6e13c642d29/MoL-04.jpg" data-mid="57007759" border="0" alt="You Make Me Feel (Mighty Real), 2018. Commission: 'London Nights' at Museum of London " data-caption="You Make Me Feel &#38;lt;i&#38;gt;(Mighty Real)&#38;lt;/i&#38;gt;, 2018.&#38;lt;br&#38;gt; Commission: &#38;lt;a href=https://www.museumoflondon.org.uk/discover/creating-london-nights&#38;gt;'London Nights'&#38;lt;/a&#38;gt; at Museum of London " src="https://freight.cargo.site/w/1000/i/682498f557def139bbbb95c30a5fa231b7f7a67b9e21cfc49041c6e13c642d29/MoL-04.jpg" /&#62;
</description>
		
	</item>
		
		
	<item>
		<title>plassein</title>
				
		<link>https://alexdavenport.com/plassein</link>

		<pubDate>Mon, 10 Jan 2022 21:00:23 +0000</pubDate>

		<dc:creator>Alexandra Davenport</dc:creator>

		<guid isPermaLink="true">https://alexdavenport.com/plassein</guid>

		<description>Plassein, 2022.&#38;nbsp;Digital HD Video, 16:9, Single Screen, Stereo. 09’19”

	 Taking its title from the Ancient Greek verb meaning “to mold or shape”, Plassein is a choreographic interpretation of neuroplasticity using performance and moving image to explore reorganization, adaptation, and growth. 
Echoing ideas that plasticity enables the brain to be simultaneously formative and formable, the body is proposed as a site of both knowledge production and knowledge exchange. The performers are continually forming new connections and pathways, working together to hold, fold, weave, curve and hinge. Moving with the body, the camera too becomes a performer – tracking movement but also creating it. The exchange between performers and camera creates a new architectural reality which is in a constant state of transformation. 
In the age of hyper-productivity, principles of neuroplasticity have been capitalised on with suggestions of how we might ‘rewire’ our brains to become more efficient. Plassein invites an alternative reading that moves away from the unrelenting pressure to produce and consume, with an emphasis instead on learning, growing and exchanging.
Awards&#38;nbsp;
Honorable Mention in Art of Neuroscience awards
Winner of FORMAT23 Open Call
Shortlisted for Athens Photo Festival 2022Exhibitons What Photography Can Be, QUAD Derby. Part of Format International Photography Festival, UK. (2023)
Shaping Data, Wilhelm-Hack-Museum, Ludwigshafen am Rhein. Part of Biennale für aktuelle Fotografie, DE. (2022)Press
Der Greif ‘Specials’ - Biennale für aktuelle Fotografie – From Where I Stand

CreditsA film by Alexandra Davenport 

Movement Direction: Alexandra Davenport

Film Direction: Federico Barni

Styling: Elizabeth BradleyPerformersAmelia TanDaisy MintoDilesh PatelJessy MackayPatrick LawrieRachel Coleman


Director of Photography:&#38;nbsp;Ailsa Aikoa

Steadicam Operator: Luke Oliver
Focus Puller:&#38;nbsp;Joel SpenceAssistantsProduction Assistant: Anna ThompsonStyling Assistant: Roseanna Bradley


Editor: Federico Barni
Colourist:&#38;nbsp;John Lowe
Sound Design:&#38;nbsp;Federico BarniTitles:&#38;nbsp;Elizabeth Bradley


	



	



&#60;img width="1300" height="731" width_o="1300" height_o="731" data-src="https://freight.cargo.site/t/original/i/14ab4589db9fa5d578810acfaca07d497fa2a8df7745cf2ee2c3f7877cc48798/PLASSEIN_Still014_web.jpg" data-mid="133920469" border="0" data-scale="81" src="https://freight.cargo.site/w/1000/i/14ab4589db9fa5d578810acfaca07d497fa2a8df7745cf2ee2c3f7877cc48798/PLASSEIN_Still014_web.jpg" /&#62;&#60;img width="1300" height="731" width_o="1300" height_o="731" data-src="https://freight.cargo.site/t/original/i/ea63215ca2bf27f8ee392bac0e4e52448b47bdcc07b41ed25067778b6a9e2440/Plassein_Stills_WEB-03.jpg" data-mid="129689144" border="0" data-scale="81" src="https://freight.cargo.site/w/1000/i/ea63215ca2bf27f8ee392bac0e4e52448b47bdcc07b41ed25067778b6a9e2440/Plassein_Stills_WEB-03.jpg" /&#62;
&#60;img width="1300" height="731" width_o="1300" height_o="731" data-src="https://freight.cargo.site/t/original/i/64fd498aacdb7534128cd0e4b4af8338160df0b74f951635173f87fce45777eb/PLASSEIN_Still006_Web.jpg" data-mid="133920478" border="0" data-scale="81" src="https://freight.cargo.site/w/1000/i/64fd498aacdb7534128cd0e4b4af8338160df0b74f951635173f87fce45777eb/PLASSEIN_Still006_Web.jpg" /&#62;&#60;img width="1300" height="731" width_o="1300" height_o="731" data-src="https://freight.cargo.site/t/original/i/a0203d3d40f2b186b51b23ffe097a8eb8b0eb75dd5532b62fdabecdb83b3d83a/PLASSEIN_Still016_web.jpg" data-mid="133920758" border="0" data-scale="81" src="https://freight.cargo.site/w/1000/i/a0203d3d40f2b186b51b23ffe097a8eb8b0eb75dd5532b62fdabecdb83b3d83a/PLASSEIN_Still016_web.jpg" /&#62;
&#60;img width="1300" height="731" width_o="1300" height_o="731" data-src="https://freight.cargo.site/t/original/i/3f96e9be4f3e064af34a4ac68c2cfa3488d421c240b2e74a1573576a5ff76363/PLASSEIN_Still002_web.jpg" data-mid="133920474" border="0" data-scale="81" src="https://freight.cargo.site/w/1000/i/3f96e9be4f3e064af34a4ac68c2cfa3488d421c240b2e74a1573576a5ff76363/PLASSEIN_Still002_web.jpg" /&#62;




	Shaping Data at&#38;nbsp;Wilhelm-Hack-Museum, Ludwigshafen
Biennale für aktuelle Fotografie
19.03.22 - 22.05.22From Where I Stand explores how a more sustainable, inclusive and empowered future might be achieved from various perspectives. The 21st century way of living is severely influenced by the complex interdependency of people, the environment and technological processes. Technology allows us to enhance our bodies, to have immediate access to information and only communicate with like-minded people, and to use the earth's resources for our own needs. Despite these advantages, these developments also lead to a many of disadvantages: Algorithms and filter bubbles influence our beliefs and actions. Not all people have equal access to resources; nature suffers from overexploitation.

Plassein is featured in Davenport’s installation as part of the exhibition ‘Shaping Data’, which is one of six exhbitions featured in the biennale.&#38;nbsp;
Shaping Data explores how the widespread use of digital technologies affects our physical bodies, frames our opinions, and alters human interactions. We spend lots of our time with our devices sharing often personal data that fuels algorithms. In turn, these algorithmic processes decide what we see and hear. This immediate feedback creates the illusion that we are in control of our own lives and the lives of others.
Installation Images
01 - Miriam Stanke

02, 03, 05 - Alexandra Davenport&#38;nbsp;
04 -&#38;nbsp;Lys Y Seng
	


	&#60;img width="1300" height="867" width_o="1300" height_o="867" data-src="https://freight.cargo.site/t/original/i/66257be740a9f949579c8a0fc2db120bfac5f288bab4295c1127fc5239f7dd2e/Biennale2022_WHM_MiriamStanke_WEB_094.jpg" data-mid="141530422" border="0" data-scale="81" src="https://freight.cargo.site/w/1000/i/66257be740a9f949579c8a0fc2db120bfac5f288bab4295c1127fc5239f7dd2e/Biennale2022_WHM_MiriamStanke_WEB_094.jpg" /&#62;&#60;img width="1300" height="975" width_o="1300" height_o="975" data-src="https://freight.cargo.site/t/original/i/5fefeb594bffb1b05790869458df59c8cdb464eac2ba659d1d449875cb62edab/Biennale-AD_Web04.jpg" data-mid="141067808" border="0" data-scale="81" src="https://freight.cargo.site/w/1000/i/5fefeb594bffb1b05790869458df59c8cdb464eac2ba659d1d449875cb62edab/Biennale-AD_Web04.jpg" /&#62;&#60;img width="1300" height="975" width_o="1300" height_o="975" data-src="https://freight.cargo.site/t/original/i/d1c4263241e30e2ae655a348a6561341558d9991a8d9e029bc94aead6b0fa1fd/Biennale-AD_Web05.jpg" data-mid="141067809" border="0" data-scale="81" src="https://freight.cargo.site/w/1000/i/d1c4263241e30e2ae655a348a6561341558d9991a8d9e029bc94aead6b0fa1fd/Biennale-AD_Web05.jpg" /&#62;&#60;img width="1300" height="867" width_o="1300" height_o="867" data-src="https://freight.cargo.site/t/original/i/31a6093140ce5b7169f4f133aed0378c6cd6ca68421d0eca6d9fa59e7a5f32a6/Biennale-AD_Web01.jpg" data-mid="141067804" border="0" data-scale="81" src="https://freight.cargo.site/w/1000/i/31a6093140ce5b7169f4f133aed0378c6cd6ca68421d0eca6d9fa59e7a5f32a6/Biennale-AD_Web01.jpg" /&#62;&#60;img width="1300" height="975" width_o="1300" height_o="975" data-src="https://freight.cargo.site/t/original/i/ad4d9d8eeb5104c839be87bc3f36980de191cf44d541b70e940d1f2689924fc0/Biennale-AD_Web03.jpg" data-mid="141067807" border="0" data-scale="81" src="https://freight.cargo.site/w/1000/i/ad4d9d8eeb5104c839be87bc3f36980de191cf44d541b70e940d1f2689924fc0/Biennale-AD_Web03.jpg" /&#62;


	What Photography Can Be at QUAD, Derby UK.FORMAT23 International Photography Festival17.03.23 - 02.07.23For the eleventh edition of FORMAT International Photography Festival, we’re delighted to welcome you back to the city of Derby, following an online hiatus during the Covid-19 pandemic, to celebrate, discover and question What Photography Can Be. 
FORMAT OPEN Call presents the work of photographers and artists who have been selected via an International Open Call in. The photographs include diverse themes such as how environmental and climate changes are affecting communities across the world; the realities of how our food production might look in our not so distance future, examinations of new belief-systems inspired by folk law, secret military programs and the appropriation of indigenous spiritual practices. 

Installation ImagesCourtesy of the Artist

	
	&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/747340e47affacd902b18fd4a28b6beaecdf658090f9b50ee6200273546ebd49/Photo-17-03-2023--11-57-59-2-.jpg" data-mid="172493535" border="0" data-scale="82" src="https://freight.cargo.site/w/1000/i/747340e47affacd902b18fd4a28b6beaecdf658090f9b50ee6200273546ebd49/Photo-17-03-2023--11-57-59-2-.jpg" /&#62;
</description>
		
	</item>
		
		
	<item>
		<title>what happens in that moment</title>
				
		<link>https://alexdavenport.com/what-happens-in-that-moment</link>

		<pubDate>Mon, 22 Sep 2025 14:35:58 +0000</pubDate>

		<dc:creator>Alexandra Davenport</dc:creator>

		<guid isPermaLink="true">https://alexdavenport.com/what-happens-in-that-moment</guid>

		<description>What Happens in that Moment, 2024-25.&#38;nbsp;Handbound Book, Japanese Binding.

	 


















What Happens in that Moment?’ is an artist book
exploring the process of training an Artificial Intelligence (AI) neural
network to perform a working memory task. The book is a response to the SMQB
research project ‘Memory Removal in AI Networks’ where the goal was to study
the mechanisms of active forgetting in AI to help us better understand this
function in human brains.



The book interweaves text, photography, found imagery and transcripts
of conversations, alongside interpretations of the model’s training process
through the ‘comments’ found in the code. The book reflects on the process of
training the AI model and includes ‘chapters’ to mirror the different phases of
the project. This project also prompted me to reflect on human and machine
learning more broadly, and so references to memory storage systems and scaffolding are made throughout the book.
 
Glossary
Working memory is the ability to remember and manipulate information that is no
longer available in the environment. An example of this is remembering a phone
number while trying to dial it into your phone.



Artificial Intelligence is an umbrella term for a
range of technologies enabling computers and machines to simulate human learning
to solve complex tasks.







Residency InfoDeveloped as part of 2024-25 Centre for Systems Modelling and Quantitative Biomedicine (SMQB) artist residency.

Research TeamPrincipal Investigator:&#38;nbsp;Dr Paul Muhle-Karbe
Co-Investigator:&#38;nbsp;Dr Jianbo Jiao
Centre Fellow:&#38;nbsp;Dr Daniel Galvis
Artist in Residence:&#38;nbsp;Alexandra Davenport
Research Assistant:&#38;nbsp;Han Hu

&#38;nbsp;
Exhibtions
Frames of Discovery, Centrala Birmingham. March 2025. Installation Images: Hayley Salter
	



	


&#60;img width="3024" height="3528" width_o="3024" height_o="3528" data-src="https://freight.cargo.site/t/original/i/4f1c6b9d9261ff5d81b56abda63e6f263d9a3e578b6e00f33301495a2ef57f40/WhatHappens-Book-001.jpg" data-mid="238509020" border="0" data-scale="81" src="https://freight.cargo.site/w/1000/i/4f1c6b9d9261ff5d81b56abda63e6f263d9a3e578b6e00f33301495a2ef57f40/WhatHappens-Book-001.jpg" /&#62;&#60;img width="1800" height="1200" width_o="1800" height_o="1200" data-src="https://freight.cargo.site/t/original/i/0e194e02a9223cbe7944b7630931c02f7cddf445533ad8da9869a83b8225fe99/1T8A6790-R1-3.jpg" data-mid="238508982" border="0" data-scale="81" src="https://freight.cargo.site/w/1000/i/0e194e02a9223cbe7944b7630931c02f7cddf445533ad8da9869a83b8225fe99/1T8A6790-R1-3.jpg" /&#62;
&#60;img width="2500" height="1667" width_o="2500" height_o="1667" data-src="https://freight.cargo.site/t/original/i/481815aa1a8d7d27eee71d9dc08514e06bc5d2b7d26e57bd502b1a80c8adbbba/SMQB-UOB-X-Centrala-March-2025---Photographer-Hayley-Salter--1257330.JPG" data-mid="238509318" border="0" data-scale="81" src="https://freight.cargo.site/w/1000/i/481815aa1a8d7d27eee71d9dc08514e06bc5d2b7d26e57bd502b1a80c8adbbba/SMQB-UOB-X-Centrala-March-2025---Photographer-Hayley-Salter--1257330.JPG" /&#62;
&#60;img width="1800" height="1200" width_o="1800" height_o="1200" data-src="https://freight.cargo.site/t/original/i/dfe6d6173706a0169ffeb4ff483233c3ec64fd9036ba4d79db3aef1adf57287d/SMQB-UOB-X-Centrala-March-2025-002W.jpg" data-mid="238509404" border="0" data-scale="81" src="https://freight.cargo.site/w/1000/i/dfe6d6173706a0169ffeb4ff483233c3ec64fd9036ba4d79db3aef1adf57287d/SMQB-UOB-X-Centrala-March-2025-002W.jpg" /&#62;




	
	


	


	
	
	
</description>
		
	</item>
		
		
	<item>
		<title>muscle memory</title>
				
		<link>https://alexdavenport.com/muscle-memory</link>

		<pubDate>Mon, 17 May 2021 14:53:58 +0000</pubDate>

		<dc:creator>Alexandra Davenport</dc:creator>

		<guid isPermaLink="true">https://alexdavenport.com/muscle-memory</guid>

		<description>Muscle Memory, 2020Digital HD Video, 9:16, Stereo, 1’44”.&#38;nbsp;

	'Muscle Memory' draws together moving image and spoken word, exploring plasticity and flexibility, the brain and the body.&#38;nbsp; This work forms part of a larger on-going body of work, ‘Mind over Matter’.&#38;nbsp;
“Here’s the point at which Davenport asks, in her yogific meditation on the relationship between mind and body, how proprioception applies to the mind – which I guess you could recast as ‘how do you know where your mind is at?’
 - Paul Carey-KentExhibitions

Performing Dawns, Hoxton Gallery &#38;amp; Online; London. UK. 2021


 
	&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;

	&#60;img width="741" height="1200" width_o="741" height_o="1200" data-src="https://freight.cargo.site/t/original/i/6081d1c8d8f6ea17eb2d894d0977f39d2572e7905858789e4883c8c9d8279962/MM-03.png" data-mid="108693878" border="0" data-scale="41" src="https://freight.cargo.site/w/741/i/6081d1c8d8f6ea17eb2d894d0977f39d2572e7905858789e4883c8c9d8279962/MM-03.png" /&#62;&#60;img width="741" height="1200" width_o="741" height_o="1200" data-src="https://freight.cargo.site/t/original/i/abfff8314c7f215a90abe4cd699878cc1b3fb5dab56b40450af108a585af3666/MM-02.png" data-mid="108693877" border="0" data-scale="41" src="https://freight.cargo.site/w/741/i/abfff8314c7f215a90abe4cd699878cc1b3fb5dab56b40450af108a585af3666/MM-02.png" /&#62;


</description>
		
	</item>
		
		
	<item>
		<title>in the gap between</title>
				
		<link>https://alexdavenport.com/in-the-gap-between</link>

		<pubDate>Thu, 04 Apr 2019 10:43:24 +0000</pubDate>

		<dc:creator>Alexandra Davenport</dc:creator>

		<guid isPermaLink="true">https://alexdavenport.com/in-the-gap-between</guid>

		<description>In the Gap Between, 2019.Live performance, 15 - 20 mins (duration varies).&#38;nbsp;

	 










Inspired by synchronised dance structures such as the Corps de Ballet and the Chorus Line — In the Gap Between utilises characteristics of these dance formations (such as moving in sync, repetition, pace, and single file arrangement) to explore the performing body as both a still and moving image. Traditionally these formations were designed to act as backdrops for framing the principal dancers, however the predictability and uniformity of the movements left no space for the individual expression. In addition, the background dancers often find themselves stood on stage in complete stillness for extended periods of time. 


However, there is of course movement in stillness. But also, how slow can you move before it ceases to be movement?


In the Gap Between uses these structures as a starting point, but instead embraces the slippages and improvisations that occur when movements filter through different bodies. Moving as one, the performers move in a slow, synchronised queue-like formation with each interpreting the movement offered by the performer in front.&#38;nbsp; By slowing movement down, the work invites the performers to fully explore a range of often-overlooked gestures, whilst simultaneously challenging audience spectatorship.Development of this work was generously supported by Summerhall Gallery and Webber Gallery. 




 




Live Performances

’Dancing in Peckham’ at Peckham 24; London (UK)


 
	



	


	Dancing in Peckham at Peckham 24Unit 8 Copeland Park, Peckham; London.&#38;nbsp;
Date
18.05.19
Performances 14.00, 15.15 &#38;amp; 16.30

&#38;nbsp;
Curated by 

Webber Gallery, Photoworks &#38;amp; Der Grief.
Performers
Amelia Tan, Duane Nasis, Rachel Coleman, Andrew Oliver &#38;amp; Sara StenbækImages&#38;nbsp;
Courtesy of the Artist
Film
Filmed and edited by Piotr Sell
	

	&#60;img width="1600" height="1067" width_o="1600" height_o="1067" data-src="https://freight.cargo.site/t/original/i/af4e86c64f2683a9c548d86c63da39dfb7f1402868ba8c770f4bb1b14ff22584/1T8A4538-WEB.jpg" data-mid="42784706" border="0" data-scale="80" src="https://freight.cargo.site/w/1000/i/af4e86c64f2683a9c548d86c63da39dfb7f1402868ba8c770f4bb1b14ff22584/1T8A4538-WEB.jpg" /&#62;&#60;img width="1600" height="1067" width_o="1600" height_o="1067" data-src="https://freight.cargo.site/t/original/i/fe9bb8b392e810f50e27c857154ba7a31a910755076eee70ebad6da39c592f9b/1T8A4380-WEB2.jpg" data-mid="42784705" border="0" data-scale="80" src="https://freight.cargo.site/w/1000/i/fe9bb8b392e810f50e27c857154ba7a31a910755076eee70ebad6da39c592f9b/1T8A4380-WEB2.jpg" /&#62;&#60;img width="1067" height="1600" width_o="1067" height_o="1600" data-src="https://freight.cargo.site/t/original/i/5479aed1bd86b7161dc00d57c1502262b110666367b44211c04a54fa7f163a90/1T8A4495-WEB.jpg" data-mid="59310019" border="0" data-scale="80" src="https://freight.cargo.site/w/1000/i/5479aed1bd86b7161dc00d57c1502262b110666367b44211c04a54fa7f163a90/1T8A4495-WEB.jpg" /&#62;&#60;img width="1600" height="1067" width_o="1600" height_o="1067" data-src="https://freight.cargo.site/t/original/i/7ac965bfdba23dc6c245a2972211cd40c2e2f81dd25e8467739bd387c5f4629e/1T8A4274-Web.jpg" data-mid="42784720" border="0" data-scale="80" src="https://freight.cargo.site/w/1000/i/7ac965bfdba23dc6c245a2972211cd40c2e2f81dd25e8467739bd387c5f4629e/1T8A4274-Web.jpg" /&#62;&#60;img width="1600" height="1067" width_o="1600" height_o="1067" data-src="https://freight.cargo.site/t/original/i/704a070c0556bfa974d8f2da394f47baeffd66d1d9d039a3136dc9c5c5e11a68/1T8A4106-WEB.jpg" data-mid="59310025" border="0" data-scale="80" src="https://freight.cargo.site/w/1000/i/704a070c0556bfa974d8f2da394f47baeffd66d1d9d039a3136dc9c5c5e11a68/1T8A4106-WEB.jpg" /&#62;
</description>
		
	</item>
		
		
	<item>
		<title>circuit training</title>
				
		<link>https://alexdavenport.com/circuit-training</link>

		<pubDate>Sat, 23 Mar 2019 17:19:16 +0000</pubDate>

		<dc:creator>Alexandra Davenport</dc:creator>

		<guid isPermaLink="true">https://alexdavenport.com/circuit-training</guid>

		<description>




Circuit Training (exercises in self-doubt), 2018.&#38;nbsp;Live performance, 20 mins.&#38;nbsp;


	










Layering movements from a variety of sources, including classical dance and self-defence guides for women — Circuit Training (exercises in self-doubt) is a live performance work focusing on the fragmentation of the body. Exploring the body as both a material and apparatus, each choreographic segment explores this fragmentation through exercise-style sequences. These are: elbow joint, knee lever, hipbone, jawline, and shoulder socket. 


The two performers move in Pas
de Deux (Dance
of Two)
— a term borrowed from dance, where traditionally the female dancer is
supported by a male partner for lifts, turns, and balancing steps to create the
illusion of stillness. The performers are simultaneously for and against one
another, with each exercise oscillating between moments of intimacy and
violence.








Awards
Featured in Vogue Ukraine Art Issue, 2019. 
Longlisted for the Aesthetica Art Prize, 2019.Live Performances
 A Performance Affair; Brussels, BE. 2019.The Nunnery Gallery; London, UK. 2018.Show 2018; London, UK. 2018.
Exhibitions
Aesthetica Art Prize Exhibtion; York, UK. 2019.Vogue Ukraine Art Issue Exhibition; Kyiv, UA. 2019.Stop Motion: In Search of the Still Image; North Carolina, USA. 2019.
	

	
		
		
	
	
		
			
				
					

				
			
		
	






	&#60;img width="1950" height="1300" width_o="1950" height_o="1300" data-src="https://freight.cargo.site/t/original/i/b41194ff92c6602a5dc719e3179c588d5254e10d07d910d244a34028f517f6ee/1T8A7996-R4-WEB.jpg" data-mid="59311701" border="0"  src="https://freight.cargo.site/w/1000/i/b41194ff92c6602a5dc719e3179c588d5254e10d07d910d244a34028f517f6ee/1T8A7996-R4-WEB.jpg" /&#62;Performance space for Circuit Training (exercises in self-doubt) at Show 2018; Royal College of Art, London. June 2018. Courtesy of the Artist. 

&#60;img width="2524" height="1683" width_o="2524" height_o="1683" data-src="https://freight.cargo.site/t/original/i/d5014fc83c7da148a002d52bc13f2582725c3b3cc35860973040bd3ae66b7e3b/AED-02.jpg" data-mid="38336570" border="0" alt="#1 elbow joint" data-caption="#1 elbow joint" src="https://freight.cargo.site/w/1000/i/d5014fc83c7da148a002d52bc13f2582725c3b3cc35860973040bd3ae66b7e3b/AED-02.jpg" /&#62;&#60;img width="2491" height="1661" width_o="2491" height_o="1661" data-src="https://freight.cargo.site/t/original/i/57de90befb0023543f5a5b8c30a88fc4d0cec3599fcb863c5e21904510bc9310/AED-03.jpg" data-mid="38336571" border="0" alt="#2 knee lever" data-caption="#2 knee lever" src="https://freight.cargo.site/w/1000/i/57de90befb0023543f5a5b8c30a88fc4d0cec3599fcb863c5e21904510bc9310/AED-03.jpg" /&#62;&#60;img width="2616" height="1744" width_o="2616" height_o="1744" data-src="https://freight.cargo.site/t/original/i/f215967c0108ea168212414e820c2336ee3efadeac72b17baf3872665b1f1732/AED-04.jpg" data-mid="38336572" border="0" alt="#3 hip-bone" data-caption="#3 hip-bone" src="https://freight.cargo.site/w/1000/i/f215967c0108ea168212414e820c2336ee3efadeac72b17baf3872665b1f1732/AED-04.jpg" /&#62;&#60;img width="2485" height="1657" width_o="2485" height_o="1657" data-src="https://freight.cargo.site/t/original/i/8d60a69e034aa1dbfb8265192687f7e49c36c35906681689ceec8f7b721166bc/AED-05.jpg" data-mid="38336573" border="0" alt="#4 jawline" data-caption="#4 jawline" src="https://freight.cargo.site/w/1000/i/8d60a69e034aa1dbfb8265192687f7e49c36c35906681689ceec8f7b721166bc/AED-05.jpg" /&#62;&#60;img width="2430" height="1621" width_o="2430" height_o="1621" data-src="https://freight.cargo.site/t/original/i/e161ccd33992beff3a703d765abb44dd830d57521de6e08450c60de277d61e29/AED-06.jpg" data-mid="38336574" border="0" alt="#5 shoulder socket" data-caption="#5 shoulder socket" src="https://freight.cargo.site/w/1000/i/e161ccd33992beff3a703d765abb44dd830d57521de6e08450c60de277d61e29/AED-06.jpg" /&#62;




	
Live excerpt from Show 2018Royal College of Art, Battersea; London. &#38;nbsp;

Dates
22.06.18 - 01.07.18Preview
Friday 22nd June at 18.30, 19.30 

Performances 
Saturday 23rd, Sunday 24th, 
Thursday 28th, Saturday 30th June 
&#38;amp; Sunday 1st July at 14.00, 15.00, 16.00 &#38;amp; 17.00 

Performers

Alexandra Davenport and Elizabeth Bradley&#38;nbsp;

FilmCourtesy of the Artist

	


	




	Visions in the NunneryThe Nunnery Gallery, Bow; London. 

Date
04.10.18
Part of Frieze First Thursday Performance Evening.
Performers

Alexandra Davenport
Elizabeth Bradley
 

Images
Courtesy of The Nunnery Gallery
	
	
&#60;img width="1950" height="1300" width_o="1950" height_o="1300" data-src="https://freight.cargo.site/t/original/i/dd346cf92fcf80dec51e7c6173f2d11d9748f9a6c1510528077ffdabad5bef14/IMG_9172-WEB.jpg" data-mid="59355862" border="0"  src="https://freight.cargo.site/w/1000/i/dd346cf92fcf80dec51e7c6173f2d11d9748f9a6c1510528077ffdabad5bef14/IMG_9172-WEB.jpg" /&#62;
&#60;img width="1950" height="1300" width_o="1950" height_o="1300" data-src="https://freight.cargo.site/t/original/i/7b3a4097ba1f074e796c2b85186ba53a5934d257891b356a40fece00318ac33a/IMG_9174-WEB.jpg" data-mid="59355867" border="0"  src="https://freight.cargo.site/w/1000/i/7b3a4097ba1f074e796c2b85186ba53a5934d257891b356a40fece00318ac33a/IMG_9174-WEB.jpg" /&#62;
&#60;img width="1300" height="1950" width_o="1300" height_o="1950" data-src="https://freight.cargo.site/t/original/i/447d06ad1d1a764669b5958362d31218d490b417cf4378dfb88e9741b2bc922a/IMG_9179-WEB.jpg" data-mid="59355870" border="0"  src="https://freight.cargo.site/w/1000/i/447d06ad1d1a764669b5958362d31218d490b417cf4378dfb88e9741b2bc922a/IMG_9179-WEB.jpg" /&#62;
&#60;img width="1950" height="1300" width_o="1950" height_o="1300" data-src="https://freight.cargo.site/t/original/i/6361f125e09561ce2a2168204946314d3f55fd829e3de073f2d27fb1cd723dbc/IMG_9177-WEB.jpg" data-mid="59355869" border="0"  src="https://freight.cargo.site/w/1000/i/6361f125e09561ce2a2168204946314d3f55fd829e3de073f2d27fb1cd723dbc/IMG_9177-WEB.jpg" /&#62;





	Vogue Ukraine Art IssueAugust 2019

8-page editorial feature. Part of the ‘Identity &#38;amp; Gender’ Issue, featuring cover story from Paul Mpagi Sepuya.&#38;nbsp;
Photographed by Image Group&#38;nbsp;
Styled by Kyanisha Morgan&#38;nbsp;Performers

Alexandra Davenport
Elizabeth Bradley
Full feature available here.&#38;nbsp;
	






	&#60;img width="4170" height="2715" width_o="4170" height_o="2715" data-src="https://freight.cargo.site/t/original/i/23b8876e5bf366e0a53dcad2c5f079242c225a4c0a2255db5a5147031065d349/image-group-1.jpg" data-mid="49682227" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/23b8876e5bf366e0a53dcad2c5f079242c225a4c0a2255db5a5147031065d349/image-group-1.jpg" /&#62;&#60;img width="5268" height="3438" width_o="5268" height_o="3438" data-src="https://freight.cargo.site/t/original/i/fe17c3da4bd850d11c78e942516a55b4e975c28559ca0dde23d337c5c56560f8/image-group3.jpg" data-mid="49682234" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/fe17c3da4bd850d11c78e942516a55b4e975c28559ca0dde23d337c5c56560f8/image-group3.jpg" /&#62;&#60;img width="5268" height="3438" width_o="5268" height_o="3438" data-src="https://freight.cargo.site/t/original/i/8247efae5cc0b33f13d4bbf2a145d9d952a956c121637be872478bb88bcbb5ef/image-group4.jpg" data-mid="49682235" border="0"  src="https://freight.cargo.site/w/1000/i/8247efae5cc0b33f13d4bbf2a145d9d952a956c121637be872478bb88bcbb5ef/image-group4.jpg" /&#62;&#60;img width="5268" height="3438" width_o="5268" height_o="3438" data-src="https://freight.cargo.site/t/original/i/5f660eee65e9508912baf27d7ac1665e55e5634b523c425ef70abcb8ad895dac/image-group5.jpg" data-mid="49682236" border="0"  src="https://freight.cargo.site/w/1000/i/5f660eee65e9508912baf27d7ac1665e55e5634b523c425ef70abcb8ad895dac/image-group5.jpg" /&#62;



	A Performance Affair: RE:productionVanderborght Building; Brussels.&#38;nbsp;

Dates
06.09.19 &#38;amp; 07.09.19

Selected by Adam Budak,&#38;nbsp;Ellen de Bruijne,&#38;nbsp;Aaron Cezar,&#38;nbsp;Frédéric de Goldschmidt,&#38;nbsp;Iordanis Kerenidis &#38;amp; Piergiorgio Pepe,&#38;nbsp;ORLAN &#38;amp;&#38;nbsp;Chantal Pontbriand.&#38;nbsp;

Performances 

Daily at 11.00, 14.00 &#38;amp; 16.00
Performers
Alexandra Davenport
Elizabeth Bradley


ImagesCourtesy of Jeroen Verrecht


Floor plan 

Elizabeth Bradley&#38;nbsp;
	&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;


	
&#60;img width="5000" height="3333" width_o="5000" height_o="3333" data-src="https://freight.cargo.site/t/original/i/16143effb363d88de6dc360dfe8f7eef6a19642f531a2b85d117460f9dac61e0/Alexandra-Davenport--Jeroen-Verrecht---3.jpg" data-mid="54070398" border="0"  src="https://freight.cargo.site/w/1000/i/16143effb363d88de6dc360dfe8f7eef6a19642f531a2b85d117460f9dac61e0/Alexandra-Davenport--Jeroen-Verrecht---3.jpg" /&#62;
&#60;img width="4225" height="2817" width_o="4225" height_o="2817" data-src="https://freight.cargo.site/t/original/i/f51fc7bf49606471fcd351755e2d6f41b9f5411fda6392fe150454b4b05d10fc/Alexandra-Davenport--Jeroen-Verrecht---4.jpg" data-mid="54070399" border="0"  src="https://freight.cargo.site/w/1000/i/f51fc7bf49606471fcd351755e2d6f41b9f5411fda6392fe150454b4b05d10fc/Alexandra-Davenport--Jeroen-Verrecht---4.jpg" /&#62;
&#60;img width="1950" height="1300" width_o="1950" height_o="1300" data-src="https://freight.cargo.site/t/original/i/534f0c5f46b526d32b6091746df0dbca5f7dd9b9cc29821cf9bc69bf7f13f58b/Alexandra-Davenport-Jeroen-Verrecht-6_WEB.jpg" data-mid="60030485" border="0"  src="https://freight.cargo.site/w/1000/i/534f0c5f46b526d32b6091746df0dbca5f7dd9b9cc29821cf9bc69bf7f13f58b/Alexandra-Davenport-Jeroen-Verrecht-6_WEB.jpg" /&#62;
&#60;img width="1796" height="2694" width_o="1796" height_o="2694" data-src="https://freight.cargo.site/t/original/i/130a970c521704cb002dd656aa7c5fe7f949a9162ff433dd996b75b17d58a2b3/Alexandra-Davenport--Jeroen-Verrecht---5.jpg" data-mid="54070400" border="0"  src="https://freight.cargo.site/w/1000/i/130a970c521704cb002dd656aa7c5fe7f949a9162ff433dd996b75b17d58a2b3/Alexandra-Davenport--Jeroen-Verrecht---5.jpg" /&#62;
&#60;img width="1897" height="2677" width_o="1897" height_o="2677" data-src="https://freight.cargo.site/t/original/i/d0fec039a7e6e504780b85c7b976ab5c1708c54b8ef454ba2861100723503e07/Photo-07-09-2019--14-49-24.png" data-mid="59316246" border="0"  src="https://freight.cargo.site/w/1000/i/d0fec039a7e6e504780b85c7b976ab5c1708c54b8ef454ba2861100723503e07/Photo-07-09-2019--14-49-24.png" /&#62;
&#60;img width="1950" height="1300" width_o="1950" height_o="1300" data-src="https://freight.cargo.site/t/original/i/b4467914a702278bdd291d985015db9cab778b4ced9228dcdf2ae1520772f55b/Alexandra-Davenport-Jeroen-Verrecht-1_WEB.jpg" data-mid="60030508" border="0"  src="https://freight.cargo.site/w/1000/i/b4467914a702278bdd291d985015db9cab778b4ced9228dcdf2ae1520772f55b/Alexandra-Davenport-Jeroen-Verrecht-1_WEB.jpg" /&#62;


</description>
		
	</item>
		
	</channel>
</rss>