Signalling back to her history in dance, Davenport’s practice uses performance, writing, moving image and the photographic as strategies to explore the ‘choreography’ of image-making.
‘Davenport has too used the body as object, interrogating limbs and joints as tools in an unyielding desire of autonomy. But she seeks to take control by unpacking the structures that are always subtly present, reclaiming the body as object as a source of subversive power.’
︎ alexandra-davenport[at]hotmail.co.uk︎ @alexandra.davenport
16 Jan - 08 Mar 2019
The Same Tendency (Group Show): Summerhall, Edinburgh.
17 - 24 Jan 2019
Residency at Summerhall, Edinburgh.
As part of my residency, I will be leading a 2-day movement-research workshop
entitled ‘In the Gap Between’ in the basement galleries. The residency work will correspond with The Same Tendency exhibiton.
04 Feb - 31 Mar 2019
Stop Motion (Solo Show): Hanes Art Gallery, USA.
26 Feb - 7 Mar 2019
Artist Residency, generously supported by and in partnership with Hanes Art Gallery & Wake Forest University.
21 Feb - 27 Apr 2019
Performance collaboration with Tom Lovelace.
Part of Lovelace’s solo show Interval at Flowers Gallery, London.
selected previous /
08 May - 11 Nov 2018
‘You Make Me Feel (Mighty Real)’ in Night Visions as part of London at Night, Museum of London.
11 October 2018
Launch of publication ‘To be confirmed: exercises in self-doubt’ at 504 Arch, Loughborough Junction.Reading at 19h30 and performance of ‘Circuit Training [...]’ at 20h.
04 October 2018
‘Circuit Training (exercises in self-doubt)’ live performance at
recent news, conversations + writing /
2019: Longlisted for Aesthetica Art Prize
2019: Longlsted for Beers Contemporary Visions
Notes on ‘To be confirmed: exercises in self-doubt’, by Melissa Fielding